• Kölsch at RazzClub (Razzmatazz)

    Kölsch comes back to Barcelona with resonances of a perfect year. 2017 threw all the glitter over his stardom’ shadow, felt as an induced glow over the dark stillness of his appearance artwork. Always sliding from the ones’ perception he shifts to the mainstream and from the others who appreciate the qualities he injected into the underground, the half-Danish, half-Irish DJ, and producer turns to both with a bright naughty look like saying: “I do what I feel.” That is the point, and it is enough for the writer to enjoy his session this Saturday, March 10th, at RazzClub, one of the five rooms at Razzmatazz.

    He will be on the decks a week before his latest remix hit the selves. A horizon melody over a strict early drum N bass pattern and groove bassline he turned into a rhythm artifact for the glory of Damon Albarn‘s chant and the fading echoes of classic UK rave sake. His contribution to “Saying,” a track from the acclaimed “My Heart” album by Nic Fanciulli, with whom Kölsch played alongside weekly throughout last summer at Hï Ibiza. His Facebook announces a promising “Testing new stuff.”

    He steps like this in 2018′ solid ground after rounding up his autobiographical trilogy served through years in the full-length format with the last “1989” in grey, complementary to the teenagery memories of “1983” and the debut with “1977,” five years ago, giving the anthemic ‘Grey.’ All this stuff, all these uncomplexed string arrangements enriching his techno foundations would not have been possible without the empathy of Kompakt Records, the legendary Cologne-based imprint who did believe in him.

    In 2010, Michael Mayer invited Rune Reilly Kölsch to express otherways than the dominant so-called Ketamine House at the time, and bring Ink And Needle (with Johannes Torpe) to Kompakt. It was the right place indeed. The home of Ambient, and Minimal Techno, thanks to Gas (Wolfgang Voigt), a territory for openminded artists daring to do something else as expected. Then Kölsch was Rune RK, the one who smashed with ‘Calabria‘ in July 2003. Immersed since then in different recording projects through the 00’, running labels like Arti Farti or Tatoo Recordings and releasing under the cited moniker but also as Ink & Needle (with his half-brother Johannes Torpe) without forgetting Artifical Funk among others.

    On October 18th, 2010, under his definitive artistic name, Kölsch released the 12-inch ‘Loreley,‘ corresponding to #68 of the famous Speicher series, a defining fineness from Kompakt, the German record label founded by Wolfgang Voigt, Michael Mayer, and Jürgen Paape. The Icelander affiliate Gus Gus ask him for a remix of ‘Deep Inside,’ and his personal touch of deep emotional Techno began in demand. The rest is a growing list of high rated names, from Coldplay and Deadmou5 to Eric Prydz and The Chemical Brothers, with a regular criterium of selective ventures for the artistic interest, which went to put his name beside andHim, Paul Kalkbrenner or Damian Lazarus & The Ancient Moons. What he gave to Flume‘s ‘Take A Chance (feat. Little Dragon)‘ and mostly to London Grammar‘s ‘Hell To The Liars’ is musical history. He is one of the talented producers, few of the accomplished craftsman capable of making electronic music the new pop for the 21st Century (in the most broader sense).

    The local DJ and producer Baldo will open the night for the Kölsch set. The Vintage synth-loving L.A. producer Seth Haley (a.k.a. Com Truise) will be in the neighbor room, The Loft, with his latest album,”Iteration,” in the case. Everything is starting at 1 am.

  • “Hound5tooth EST. 2013” V/A Compilation

    Houndstooth celebrates five years releasing electronic music with a free ‘Pay What You Like’ 15 track compilation, “showcasing label classics next to rarities and unreleased gems from associates old and new.” The in-house venture from fabric, the famous London nightclub, operates as a conventional record label since February 2013, growing steadily from the first release, “The Present Tense,” by Call Super. Resident Advisor qualified it at the time as “one of this year’s best new label.” It runs by A&R Rob Booth (Electronic Explorations) integrated into parallel Fabric Records‘ staff formed by Leo Belchetz and Rob Butterworth (label manager and director, respectively), noticing the latter takes care of fabric’s long-running mix CD series. “Hound5tooth EST. 2013” is available now on the label’s Bandcamp.

    This new release adds an artists’ label profile to its previous digital-only 5th-anniversary compilation, “In Death’s Dream Kingdom,” appeared at the end of January. This title takes a phrase of 1925 T.S. Eliot‘s poem “The Hollow Men,” contributed by twenty-five acts out of its roster inspired by the famous verses of the universal poet of Modernism’s epitome. A poem that speaks for the lost souls of a generation, the ones who fought in WWI and faced death on the battlefield and saw the ideals of humanism’s freedom crumbling down. The club fabric London’s offshoot label gave a reflexive insert to document the dark signs of this time in its language; almost shut down. I guess everything has a reason. Reasons (in plural). Better work out on label’s name, Houndstooth, for the creative side, the very British sense of taking old patterns interlaced for the colored new. Diversity is moving hope calling for everyone. Celebrate we keep on, very outgoing!